I see my artistic practice as a frame story. I make ceramics, objects, wearable objects and costumes. Mediums and materials vary, but my main loves are textiles and ceramics and performance. Even though every separate work can look really different from another, they always relate to each other; for they all come from my world. My world consists of the stories I have created; stories of modern and future folklore, about domesticity, feminity, bodies, the uncanny and abject, murder ballads and my love for the banjo.

Though I consider all my works part of the same frame story, my body of work can be roughly divided into two main branches: 1. works around the human body, and 2. costumes for space and buildings that I call spatial costumes.

I like to approach my body of work as being one big opera. Every object, wearable object or costume serves the opera. Every spatial costume a backdrop, every sculpture a prop, every wearable object a costume, every costume a character, every performance a scene, every installation a scenography. One day I will make an opera consisting of all my works.

Welcome to my world, welcome to my opera